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Cristina Morozzi

Cristina Morozzi

Journalist, critic and art-director on the border between art, fashion and design

Fashion

Nulla dies sine linea

Antonio Marras’ solo exhibition in Milan’s Triennale, “Nulla dies sine linea”, was a dynamic presentation curated by Francesca Alfano Miglietti …

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Fashion

Crafted Modernity

Alessandro Sartori, artistic director of Ermengildo Zegna, made his debut for the brand with the 2017/2018 men’s winter collection …

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Editorial

+ Uomo

Fashion

Night Creatures

I have stolen the title from Tom Ford’s shiny new film, used to present Vuitton’s men’s collection, designed by artistic director Kim Jones …

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Fashion

Design Amongst the Clouds

Valextra is a historic luxury fur company hailing from Milan. They won the Compasso d’Oro prize in 1954 for their classic briefcase, and continuously collaborate with designers and architects …

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Fashion

Interno Continuo

Prada’s men’s and women’s 2017/18 Fall/Winter runway show was set against a background created by Amo, who defined the collection …

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Design & Architecture

Jewels in Orbit

New York’s noted jeweler, David Yurman, debuted his men’s jewelry collection with a surprising presentation in …

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Fashion

The New Classic

The Salone del Mobile in 2016, as well as the recent “Before Classic design” exhibition, have reintroduced classic style, which spilled over into the 2017 fall/winter …

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Design & Architecture

Crystal Architecture

Amongst Zaha Hadid’s final creations was a collection of crystal vases for the French company, Lalique. Her collaboration with them began in 2014, and was abruptly interrupted last year with her untimely passing. Zaha’s particular talent…

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Design & Architecture

Society Limonta

Limonta, a known fabric company, worked with Society on a refined, season-less household linen line made of natural fibers, available in an array of dusty pastels and jewel tones. Minimal bath towels…

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.