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Pino-Deodato-Brooding-Men_2
Art & Graphic

Brooding Men

Pino Deodato began his journey in high school in Nao di Jonadi (Vibo Valentia), the town where he was born. He was named one of the most promising students after one year of study at Milan’s All’Accademia di Brera…

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Cloth-and-Paper-Avian-Sculptures_5
Art & Graphic

Cloth and Paper Avian Sculptures

A series of expertly executed cloth and paper birds has “flown” in to Thomas Eyck’s eclectic collection of objects and furniture, titled T.E.

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A-case-for-keeping-it-light_5
Art & Graphic

A case for keeping it light

Rosanna Orlandi’s Milan-based gallery never fails to surprise, and the recent G&G exhibition is no exception. The two Milanese artists who have…

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Editorial

Figurines

Nick Cave è conosciuto per le sue esuberanti "Soundsuits", sculture indossabili dalle sembianze del corpo umano
Art & Graphic

The Dance of cloth sculptures

Our review of figurines and miniatures would not be complete without the American artist Nick Cave’s dancing cloth sculptures. This is not …

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Alpa, Bosa, Ionna Vautrin
Design & Architecture

Non ti scordar di me

The Bosa ceramics laboratory, located in the Venetian hills of Borsa del Grappa, was founded in 1976. In 2016, they released a collection of “souvenirs”, created by 12 new and returning designers…

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Jack Russell with licorice, Lladrò
Art & Graphic

Lighted figures

Lladrò is a historic Spanish brand, known for its variety of products, including traditional miniatures. They recently renovated their tone with a 2016 ..

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Lucie Kaas’s line Kokeshi
Art & Graphic

Wooden Figures

The Danish artsit Lucie Kaas has produced a collection of miniature wooden sculptures. Taking inspiration from the restylized animal figures of Gunnar Flørning and Th. Skjøde Knudsen, created in the 50’s…

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.