The design studio Amo built in the showroom in Via Fogazzaro an infinite catwalk that wound inside an enfilade of interconnected rooms, walls and floors covered with faux marble. The rooms, gradually changing proportions as in an abstract mannerist perspective, were interspersed with textured metal sheets, giving a transparent effect. The fashion show, playing on the contraposition aiming to highlight gender differences and similarities, dominated by the sobriety of materials and focused on the palette of blacks, midnight-blue and gray asphalt, was a counterpoint to the architecture of the space, named by Amo ”The Infinite Palace”.
The show proved to be not only a fashion event, but also a special aesthetic experience with an architectural flavour. And Prada, once again, emphasized, in an exemplary way, the contiguity between the two forms of art.

Prada_Mens_AW15_Showspace
Prada_Palazzoinfinito_Showspace
Prada_AW15_ViaFogazzaro_StudioAmo
prada-quote
Prada_Showspace_Parade_PalazzoInfinito

WHERE: Prada spa via Antonio Fogazzaro, 28 20135 Milano, Italia

The design studio Amo built in the showroom in Via Fogazzaro an infinite catwalk that wound inside an enfilade of interconnected rooms, walls and floors covered with faux marble. The rooms, gradually changing proportions as in an abstract mannerist perspective, were interspersed with textured metal sheets, giving a transparent effect. The fashion show, playing on the contraposition aiming to highlight gender differences and similarities, dominated by the sobriety of materials and focused on the palette of blacks, midnight-blue and gray asphalt, was a counterpoint to the architecture of the space, named by Amo ”The Infinite Palace”.
The show proved to be not only a fashion event, but also a special aesthetic experience with an architectural flavour. And Prada, once again, emphasized, in an exemplary way, the contiguity between the two forms of art.
WHERE: Prada spa via Antonio Fogazzaro, 28 20135 Milano, Italia

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.