Segno Italiano is a new reality, encompassing a design studio, a publisher and an agency, capable of developing and marketing internationally products of Italian craftsmanship. Its business is multifold: to network small local craftsmen specialized in the creation of local products, to preserve the skills of manufacturing districts and finally to safeguard the manufacturing excellence of the Italian territory.

Segno Italiano works as a commercial agency, but first as a designer and as publisher of contemporary works of excellence. Numbered amongst its accomplishments are the collections of Empoli green glass, Chiavari light chairs, Sardinian baskets, Scarperia knives, atestine ceramics, the tripolina chair. Segno Italiano has collaborated for two years with Antonio Marras on space management at via Cola di Rienzo for the Salone del Mobile.

WHERE: Via Palermo 8 – 20121 Milano – 1° piano

Segno Italiano is a new reality, encompassing a design studio, a publisher and an agency, capable of developing and marketing internationally products of Italian craftsmanship. Its business is multifold: to network small local craftsmen specialized in the creation of local products, to preserve the skills of manufacturing districts and finally to safeguard the manufacturing excellence of the Italian territory.
Segno Italiano works as a commercial agency, but first as a designer and as publisher of contemporary works of excellence. Numbered amongst its accomplishments are the collections of Empoli green glass, Chiavari light chairs, Sardinian baskets, Scarperia knives, atestine ceramics, the tripolina chair. Segno Italiano has collaborated for two years with Antonio Marras on space management at via Cola di Rienzo for the Salone del Mobile.
WHERE: Via Palermo 8 – 20121 Milano – 1° piano

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.