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Fashion

Nulla dies sine linea

Antonio Marras’ solo exhibition in Milan’s Triennale, “Nulla dies sine linea”, was a dynamic presentation curated by Francesca Alfano Miglietti …

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Fashion

Crafted Modernity

Alessandro Sartori, artistic director of Ermengildo Zegna, made his debut for the brand with the 2017/2018 men’s winter collection …

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Fashion

Interno Continuo

Prada’s men’s and women’s 2017/18 Fall/Winter runway show was set against a background created by Amo, who defined the collection …

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African Fashion

This year, the annual “African Fashion Reception” was held in Addis Abeba, the regal home to the African Union. This is the first time that the event…

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Fashion

Complexities

Prada’s 2017 spring/summer runway show was presented in a space designed by Studio Oma, who chose metal grids and an industrial feel to present the collection…

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Fashion

Maurizio Pecoraro

Maurizio Pecoraro’s 2017 spring/summer runway show converges various themes with talent and courage. Animal prints, including giraffe, go hand in hand with floral patterns, and white lace is paired with…

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Fashion

We are all Africans

Antonio Marras’ next spring/summer collection was inspired Malick Sibidé’s black and white photography of his capital city Bamako, where the dancing crowds celebrated Mali’s newly…

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Fashion

Psychedelic Fashion

Vogue Italia’s selection of new talents, Who Is On Next, was on display in Palazzo Morando during Milan’s fashion week.

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La contrapposizione dei materiali crea un impeccabile e particolarissimo equilibrio di “finito” e “non finito”
Fashion

Chambers

Prada started it, when they asked Oma studio to design the scenography for their runway shows. One season later, Sportmax entrusted the young ..

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Fashion

Prada’s Veterans

Prada’s show brought “tragic”, imperfect fashion to the runway. Not dandy, but beached veterans, with elbow patches and sailors’ hats. The theatre for this “uncomfortable” show was created, as usual…

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.