During the New York design week, the Mad Museum (Museum of Art and Design) presented an unusual exhibition of 170 designer jewels based on photographic images. “Multiple exposure”, the name of the show (8 May till 13 September 2014) that explores the relationship between photography and jewellery through the works of eighty artists from various parts of the world. It is a fervent relationship, judging by the works on display, which offers a variety of pieces, from the nostalgic flavour of the important necklace of Ashley Gilreath,

entitled “Who they were” proposing photos of his ancestors in vintage oval frames, linked by thin silver chains; to the more offbeat, like the multi-strand necklace of mug shots, mounted on metal plates painted red that give a vibrant touch of colour similar, at a first glance, to a coral lace, or otherwise the wide collar that reproduces photographically with three-dimensional effect, details of architecture, or the classic oval broach, inspired by traditional medallions, which frames the surreal picture of a woman who swallows pearls as if they were confetti.

During the New York design week, the Mad Museum (Museum of Art and Design) presented an unusual exhibition of 170 designer jewels based on photographic images. “Multiple exposure”, the name of the show (8 May till 13 September 2014) that explores the relationship between photography and jewellery through the works of eighty artists from various parts of the world. It is a fervent relationship, judging by the works on display, which offers a variety of pieces, from the nostalgic flavour of the important necklace of Ashley Gilreath,
entitled “Who they were” proposing photos of his ancestors in vintage oval frames, linked by thin silver chains; to the more offbeat, like the multi-strand necklace of mug shots, mounted on metal plates painted red that give a vibrant touch of colour similar, at a first glance, to a coral lace, or otherwise the wide collar that reproduces photographically with three-dimensional effect, details of architecture, or the classic oval broach, inspired by traditional medallions, which frames the surreal picture of a woman who swallows pearls as if they were confetti.

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.