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Untitled Homeware by Massimiliano Locatelli, architect of mansions and prestigious showrooms, is more than a complete set of tableware accessories. The collection is a valuable and imaginative system to set the table, designed to freely combine his latest creations with already existing services, each time creating new mixes of patterns. It has been studied down to the last detail, from the packaging, which looks like volumes of a historical library collection to be kept in plain sight on the shelves, to the colours, to the fine decorations, illuminated by gold and silver. The collection, definable as a “work in progress”, is for sale in a new small, dedicated space in Corso di Porta Vigentina 12.

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Untitled is located on the ground floor of a very chic Milanese building on Corso di Porta Vigentina

The perfectionist Massimiliano, who loves to engage in any variation of interior design, held that Untilted Homeware has as the ultimate goal of offering clients an extreme level of personalization. “The system”, he declares, “in its freedom of combinations, allows for reusing old unmatched services, integrating them with the elements of the new collection, making it possible to create a new table setting each time it is used”.

Untitled viene concepito dall’architetto per ornare gli spazi, rispondere alla ricerca di elasticità e creatività del gusto di chi, come lui, sa accostare con nonchalance il nuovo e il casual.
Untitled was conceived by an architect to decorate the spaces of those who like to place innovative and casual elements together, with nonchalance.
L’ambiente curato nei minimi dettagli propone accostamenti intelligenti e studiati per ispirare.
The detail-oriented atmosphere has intelligent object pairings meant to inspire clients in their own homes.
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A mise en place inspired by the Orient.
Untitled è una proposta flessibile che ha per protagonisti i clienti. La U infatti è da intendere come YOU, TU, che puoi ottenere la rimessa in gioco di quelle ceramiche spaiate che hai conservato per anni mescolandole con i pezzi Untitled.
Untitled offers flexible options for their clients. The U, in fact, refers to YOU, seeing as clients can use ceramics from their personal collection, together with Untitled pieces.
Tendenza “dalla Russia con amore”.
The trend of “From Russia with Love”
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A mise en place to combine, mix or subvert freely with other pieces for a retro and original effect.
Il packaging in cartone riciclato imita la calligrafia e la forma di vecchi faldoni da biblioteca medievale.
The recycled carton packaging replicates the calligraphy and shape of old volumes, found in a medieval library.
Proposte di mise en place, Untitled Homeware, MI.
Mise en place, Untitled Homeware, MI.

WHERE: Corso di Porta Vigentina, 12, 20122 Milano

Untitled Homeware by Massimiliano Locatelli, architect of mansions and prestigious showrooms, is more than a complete set of tableware accessories. The collection is a valuable and imaginative system to set the table, designed to freely combine his latest creations with already existing services, each time creating new mixes of patterns. It has been studied down to the last detail, from the packaging, which looks like volumes of a historical library collection to be kept in plain sight on the shelves, to the colours, to the fine decorations, illuminated by gold and silver. The collection, definable as a “work in progress”, is for sale in a new small, dedicated space in Corso di Porta Vigentina 12.
The perfectionist Massimiliano, who loves to engage in any variation of interior design, held that Untilted Homeware has as the ultimate goal of offering clients an extreme level of personalization. “The system”, he declares, “in its freedom of combinations, allows for reusing old unmatched services, integrating them with the elements of the new collection, making it possible to create a new table setting each time it is used”.

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.