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Sparkling

N.3 of January 8th, 2015

Cristina Morozzi

Editorial by

Even plastic sparkles: the Kartell Precious collection with its finishing in gold, silver and bronze acquires value and resembles baroque splendour. José Levy, a multifaceted Parisian designer, has used colourful fireworks on jerseys, clothing, personal and home accessories, distributed by Monoprix. The Paseo de Gracia in Barcelona is illuminated with lights designed by studio Lagranja. The large golden vases by Tarshito radiate brilliance at the exhibition curated by Silvana Annicchiarico at the Milan Triennale. The Baccarat crystals in the ruby parure by Elie Top are scintillating. Shining are also the Copper Crossing exhibition, curated by Elena Tettamanti and the Gold design exhibition, curated by Valerio Castelli and Caterina Mosca. The fluid pieces by Xavier Lust are moulded in gilded metal.

Cristina Morozzi

Editor-in-chief
editor@themoodboarders.com/old

Even plastic sparkles: the Kartell Precious collection with its finishing in gold, silver and bronze acquires value and resembles baroque splendour. José Levy, a multifaceted Parisian designer, has used colourful fireworks on jerseys, clothing, personal and home accessories, distributed by Monoprix. The Paseo de Gracia in Barcelona is illuminated with lights designed by studio Lagranja. The large golden vases by Tarshito radiate brilliance at the exhibition curated by Silvana Annicchiarico at the Milan Triennale. The Baccarat crystals in the ruby parure by Elie Top are scintillating. Shining are also the Copper Crossing exhibition, curated by Elena Tettamanti and the Gold design exhibition, curated by Valerio Castelli and Caterina Mosca. The fluid pieces by Xavier Lust are moulded in gilded metal.
Editor-in-chief
editor@themoodboarders.com/old

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The Moodboarders is a glance into the design world, which, in all of its facets, captures the extraordinary even within the routine. It is a measure of the times. It is an antenna sensitive enough to pick-up on budding trends, emerging talents and neglected aesthetics. Instead of essays, we use brief tales to tune into the rhythm of our world. We travelled for a year without stopping, and seeing as the memory of this journey has not faded, we have chosen to edit a printed copy. We eliminated anything episodic, ephemeral or fading, maintaining a variety of articles that flow, without losing the element of surprise, the events caught taking place, and the creations having just bloomed.